Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of Diego Velazquez 06

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
22619 Trois Hommes a table (df02) Diego Velazquez Trois Hommes a table (df02) c 1618 Three Men at Table Drei Manner am Tisch 108.5 x 102 cm
22618 Trois Musiciens (df02) Diego Velazquez Trois Musiciens (df02) 1617-1618 Musical Trio Drei Musikanten 87 x 110 cm
731 Two Men at a Table Diego Velazquez Two Men at a Table Wellington Museum, London
22671 Une main d'homme (df02) Diego Velazquez Une main d'homme (df02) c 1630 Hand of a Man Fragment einer Hand 27 x 24 cm
22665 Une Sibylle (df02) Diego Velazquez Une Sibylle (df02) 1630-1631 A Sibyl Sibylle 62 x 50 cm
22495 Velazques and the Royal Family of Las Meninas (detail) (df01) Diego Velazquez Velazques and the Royal Family of Las Meninas (detail) (df01) 1656-1657 cat.no 124
22733 Velazquez et Ia Famille royale (Les Menines) (df02) Diego Velazquez Velazquez et Ia Famille royale (Les Menines) (df02) 1656-1657 Velazquez and the Royal Family (Las Meninas) Velazquez und die Konigliche Familie (Las Meninas) 318 x 276 cm
22616 Velazquez et la Famille royale ou Les Menines (detail) (df02) Diego Velazquez Velazquez et la Famille royale ou Les Menines (detail) (df02) 1656-1657
22715 Venus a son miroir (df02) Diego Velazquez Venus a son miroir (df02) c 1644-1648 Venus at her Mirror Venus mit Spiegel 122.5 x 177 cm
33646 Venus at her Mirror Diego Velazquez Venus at her Mirror mk86 c.1644-1648 Oil on canvas 122.5x177cm London,National Gallery
22583 venus at her Mirror (df01) Diego Velazquez venus at her Mirror (df01) c 1644-1648
21648 Venus at her Mirror (mk08) Diego Velazquez Venus at her Mirror (mk08) c.1644-1648 Oil on canvas, 122.5x177cm London,National Gallery
61393 Vieja friendo huevos Diego Velazquez Vieja friendo huevos Vieja friendo huevos (1618, English: An Old Woman Frying Eggs). National Gallery of Scotland, Edinburgh.
67421 Viejafriendohuevos Diego Velazquez Viejafriendohuevos Old Woman frying Eggs, 1618, Diego Velezquez
22620 Vielle Femme Faisant frire des cenfs (df02) Diego Velazquez Vielle Femme Faisant frire des cenfs (df02) c 1618 Old Woman Frying Eggs Alte Frau beim Eierbraten 100.5 x 119.5 cm
28564 View of the Garden of the Villa Medici in Rome Diego Velazquez View of the Garden of the Villa Medici in Rome mk61 c.1649-1651 Oil on canvas 48x42cm
28565 View of the Garden of the Villa Medici in Rome II Diego Velazquez View of the Garden of the Villa Medici in Rome II MK61 C.1649-1651 Oil on canvas 44X38cm
22535 Villa Medici in Rome (Facade of the Grotto-Logia) (df01) Diego Velazquez Villa Medici in Rome (Facade of the Grotto-Logia) (df01) 1630
22534 Villa Medici in Rome (Pavilion of Ariadne) (df01) Diego Velazquez Villa Medici in Rome (Pavilion of Ariadne) (df01) 1630
22591 Vocation of St Matthew (detail) (df01) Diego Velazquez Vocation of St Matthew (detail) (df01) Juan de Pareja 1661 Madrid,Museo del Prado
28107 Vulcan's Forge Diego Velazquez Vulcan's Forge mk61 c.1631 Oil on canvas 223x290cm
53806 Vulcanus- smithy Diego Velazquez Vulcanus- smithy mk234 1630 223x290cm
77378 Wicker Basket and Scissors Diego Velazquez Wicker Basket and Scissors Date 1889 Medium Oil on canvas Dimensions 17 by 15 inches cyf
38426 Yong Man Diego Velazquez Yong Man c. 1629 Oil on canvas

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Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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